I reread Startide Rising and The Uplift War recently, and it occurred to me that that interspecies dynamic would be an interesting way of handling the profusion of intelligent races in an “everything in the books”-style D&D campaign. Sure, maybe bugbears and ogres are basically the same thing, but that’s just because the illithids thought the aboleth had too good a thing going with ogres to let the idea go unswiped. If you have a problem with that, I’m sure the beholders will be happy to field your complaints about their client race. Or their patrons, if you can find the right Outer Plane.
Today, as I was unsuccessfully trying to get my dog Finn’s attention to get him out from underfoot, my wife tried to observe that Finn “was interested only in leash”, but it came out “was interested only in lich.” It made me wonder what sort of specialized monster-hunting dog breeds exist in heroic fantasy worlds.
Does the city watch descend into the sewers with a pack of ghulhunds, bred to root out undead in close spaces? Are there wyvern-tolling retrievers? Are dungeoneers perilously close to a TPK ever unexpectedly rescued by a St. Bernard/blink dog hybrid with a cask of healing potion around its neck? Do some parties bring along specialized trap-sniffing dogs? (If for no other reason than to be able to say “What do you mean we didn’t say we check for traps? The f&$(%ing dog always checks for &#)(%ing traps, it’s literally the meaning of its existence!”)
Inquiring minds want to know.
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Many players bring an aesthetic that I think of as cathartic play to their relationships with their characters . The cathartic playstyle approaches roleplaying as a venue for players to take risks or indulge impulses in ways that might have unpleasant consequences in real life. The satisfaction of cathartic play is the chance to blow off steam.
Consequently, cathartic characters are often similar to their players, but with certain traits amplified and certain inhibitions muted. In a more extreme form of the aesthetic, these characters may be wholly designed around the traits to be amplified. I’ve known people who used short-tempered characters to work through their anger issues; I like to play impulsive people from time to time as a break from my usual overthinkery.
More commonly, however, a cathartic character is simply a version of the player who kicks more ass and isn’t afraid to be a jerk. This milder form of the aesthetic is extremely popular — at its root, traditional “hack and slash” gaming boils down to “It’s us, but we’re killin’ orcs and takin’ no guff from nobody.”